One of the great discoveries I’ve made for myself over the years programming this festival is the world of Syrian documentaries. In our very first edition of the Cape Cod Festival of Arab & Middle Eastern Cinema we showed a film called A Flood in Ba’ath Country by Omar Amiralay, which brilliantly and cinematically documented the Syrian people in a remote area under the previous Assad regime. I’ve seen that film many times now and even showed it again in a subsequent edition of the festival. Each year I have become aware of additional documentary work being done by Syrian filmmakers, sometimes anonymously created and shown online only, and sometimes more successfully disseminated through mostly Western film festivals, such as the Tribeca Film Festival or the Berlin International Film Festival.
Early this year, I found Avo Kaprealian’s film Houses Without Doors. I was stunned by the filmmaker’s courage—not only because he was filming in Aleppo even after being arrested and having his footage destroyed, but also because of the uniqueness of his vision. The film, shot from the Kaprealian family’s window in Aleppo, documents the changes to their Al-Midan neighborhood as the war in Syria escalates. The neighborhood is home to many Syrians of Armenian descent, including the filmmaker. His footage is combined with audio and sometimes video of other films, including two films about Armenian, Stan Brakhage’s The Act of Seeing With One’s Own Eyes, as well as the neo-surrealist midnight movie El Topo by Chilean filmmaker Alejandro Jodoroswky, creating a mesmerizing contemplation on the interconnectedness of Armenian refugees who came to Syria and the current plight of Syrians seeking asylum in other countries.
It is really unfortunate that Avo will not be able to join us tonight at the screening at Wellfleet Preservation Hall (7 p.m. Friday, May 5) because he is a very interesting filmmaker with a great passion for cinema. I did, however, have the opportunity to “talk” with Avo virtually, and I will be playing a portion of my audio interview with him after the screening tonight.
Before Houses Without Doors, we will screen the short film Daesh Girl by Abdul Almutairi, a Saudi filmmaker who made this film while studying film in the United States. This film tells the story of a young woman who joins ISIL in order to free her girlfriend. Almutairi will be able to join us from Saudi Arabia tonight via Skype after we screen his film. We previously screened Almutairi’s film 1991 in Wellfleet, so it is really exciting to bring him back this year.
Houses Without Doors screens tonight, Friday, May 5 at 7 p.m. at Wellfleet Preservation Hall, 335 Main St., Wellfleet. For tickets and information on this screening as well as the entire festival schedule, click here. Tickets will also be available at the door 30 minutes before screening time.